{"id":10615,"date":"2025-10-23T09:01:29","date_gmt":"2025-10-23T07:01:29","guid":{"rendered":"https:\/\/www.kunstfuerangeln.de\/by-land-netvaerk-2022"},"modified":"2026-03-14T11:42:32","modified_gmt":"2026-03-14T10:42:32","slug":"by-land-netvaerk-2022","status":"publish","type":"page","link":"https:\/\/www.kunstfuerangeln.de\/da\/by-land-netvaerk-2022","title":{"rendered":"BY, LAND, NETV\u00c6RK 2022"},"content":{"rendered":"\n

BY, LAND, NETV\u00c6RK<\/h1>\n\n
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<\/div><\/div>\n<\/div><\/div>\n\n<\/div>\n\n

BY, LAND, NETV\u00c6RK<\/h2>\n\n

Den anden udstilling arrangeret af foreningen “Kunst f\u00fcr Angeln e.V.” sammen med Roosen-Trinks-samlingen udforskede referencesystemerne for by og land. Emner som “kunst og kunstighed”, “acceleration og deceleration”, “digitalitet” og “b\u00e6redygtighed” blev behandlet af de deltagende kunstnere. <\/p>\n\n

Gruppeudstillingen tog et multiperspektivisk blik p\u00e5 udstillingens tema og samlede v\u00e6rker af forskellige kunstnere, hvilket resulterede i et samlet billede, der var rigt p\u00e5 perspektiver.<\/p>\n\n

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CITY COUNTRY NETWORK
9.10.2022 – 30.11.2022
Pressemeddelelse tysk – PDF<\/a><\/p>\n<\/div>\n\n\n\n

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CITY – COUNTRY – CONNECTIVITY
9. oktober 2022 til 30. november 2022
Pressemeddelelse engelsk – PDF<\/a><\/p>\n<\/div>\n<\/div>\n\n

Liste over kunstnere:<\/h2>\n\n
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Slim Aarons <\/p>\n\n\n\n

Ansel Adams<\/p>\n\n\n\n

Brian Alfred<\/p>\n\n\n\n

Eduard Bagheer<\/p>\n\n\n\n

Henrik Becker<\/p>\n\n\n\n

Maria Berking<\/p>\n\n\n\n

Thorsten Brinkmann <\/p>\n\n\n\n

Viktoria Binschtok<\/p>\n\n\n\n

Julius von Bismarck <\/p>\n\n\n\n

Michael Conrads<\/p>\n\n\n\n

Stephen Craig<\/p>\n\n\n\n

Walker Evans<\/p>\n\n\n\n

Klaus Fu\u00dfmann <\/p>\n\n\n\n

T.M. Glas<\/p>\n\n\n\n

Ramiro Gomez <\/p>\n\n\n\n

Greg Gorman<\/p>\n\n\n\n

Beate G\u00fctschow<\/p>\n\n\n\n

Roswitha Hecke<\/p>\n\n\n\n

Mat Hennek<\/p>\n\n\n\n

Thomas Herbst<\/p>\n\n\n\n

Jane Hilton<\/p>\n\n\n\n

Carsten H\u00f6ller<\/p>\n\n\n\n

Nicole Hollmann<\/p>\n\n\n\n

Dennis Hopper <\/p>\n\n\n\n

Alexandra K\u00fcrtz<\/p>\n\n\n\n

Lazl\u00f3 Maholy-Nagy<\/p>\n\n\n\n

Rupprecht Matthies<\/p>\n\n\n\n

Sofie Bird M\u00f8ller<\/p>\n\n\n\n

Andreas M\u00fche<\/p>\n\n\n\n

Maria og Natalia Petschatnikov <\/p>\n\n\n\n

Tom Sachs<\/p>\n\n\n\n

Max Scheler<\/p>\n\n\n\n

Andreas Slominski <\/p>\n\n\n\n

Frank Suplie<\/p>\n\n\n\n

Christopher Thomas<\/p>\n\n\n\n

Malte Urbschat<\/p>\n\n\n\n

Robert Voit<\/p>\n\n\n\n

Athena Vida (f\u00f8dt som\/tidligere kendt som Gitte Sch\u00e4fer)<\/p>\n\n\n\n

Carol Wates<\/p>\n\n\n\n

Donata Wenders<\/p>\n\n\n\n

Cerith Wyn Evans<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Plus l\u00e5n fra:<\/strong><\/p>\n\n\n\n

Verena Issel <\/p>\n\n\n\n

Camillo Ritter<\/p>\n\n\n\n

Michael Conrads<\/p>\n\n\n\n

<\/p>\n\n\n\n

International:<\/strong><\/p>\n\n\n\n

Slim Aarons (USA)<\/p>\n\n\n\n

Ansel Adams (USA)<\/p>\n\n\n\n

Brian Alfred (USA)<\/p>\n\n\n\n

Stephen Craig (Irland og Tyskland)<\/p>\n\n\n\n

Walker Evans (USA)<\/p>\n\n\n\n

T.M. Glass (Canada)<\/p>\n\n\n\n

Ramiro Gomez (USA og Mexico)<\/p>\n\n\n\n

Greg Gorman (USA)<\/p>\n\n\n\n

Mat Hennek (USA og Tyskland)<\/p>\n\n\n\n

Jane Hilton (Storbritannien)<\/p>\n\n\n\n

Dennis Hopper (USA)<\/p>\n\n\n\n

Lazl\u00f3 Maholy-Nagy (\u00d8strig\/Ungarn)<\/p>\n\n\n\n

Sofie Bird M\u00f8ller (Danmark)<\/p>\n\n\n\n

Maria og Natalia Petschatnikov (Rusland)<\/p>\n\n\n\n

Tom Sachs (USA)<\/p>\n\n\n\n

Carol Wates (UK)( IPad-malerier\/udseende, et sted mellem hyperrealistisk, akvarel og abstrakt)<\/p>\n\n\n\n

Cerith Wyn Evans (Storbritannien)<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

BY, LAND, NETV\u00c6RK BY, LAND, NETV\u00c6RK Den anden udstilling arrangeret af foreningen “Kunst f\u00fcr Angeln e.V.” sammen med Roosen-Trinks-samlingen udforskede referencesystemerne for by og land. Emner som “kunst og kunstighed”, “acceleration og deceleration”, “digitalitet” og “b\u00e6redygtighed” blev behandlet af de deltagende kunstnere. Gruppeudstillingen tog et multiperspektivisk blik p\u00e5 udstillingens tema og samlede v\u00e6rker af forskellige […]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-10615","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kunstfuerangeln.de\/da\/wp-json\/wp\/v2\/pages\/10615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kunstfuerangeln.de\/da\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kunstfuerangeln.de\/da\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kunstfuerangeln.de\/da\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kunstfuerangeln.de\/da\/wp-json\/wp\/v2\/comments?post=10615"}],"version-history":[{"count":1,"href":"https:\/\/www.kunstfuerangeln.de\/da\/wp-json\/wp\/v2\/pages\/10615\/revisions"}],"predecessor-version":[{"id":10616,"href":"https:\/\/www.kunstfuerangeln.de\/da\/wp-json\/wp\/v2\/pages\/10615\/revisions\/10616"}],"wp:attachment":[{"href":"https:\/\/www.kunstfuerangeln.de\/da\/wp-json\/wp\/v2\/media?parent=10615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}