{"id":10105,"date":"2025-10-23T09:01:29","date_gmt":"2025-10-23T07:01:29","guid":{"rendered":"https:\/\/www.kunstfuerangeln.de\/?page_id=10105"},"modified":"2025-10-23T09:04:20","modified_gmt":"2025-10-23T07:04:20","slug":"city-country-connectivity","status":"publish","type":"page","link":"https:\/\/www.kunstfuerangeln.de\/en\/city-country-connectivity","title":{"rendered":"CITY \u2013 COUNTRY \u2013 CONNECTIVITY"},"content":{"rendered":"\n
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The second exhibition of\u00a0Kunst f\u00fcr Angeln e.V<\/strong>., together with the Roosen-Trinks Collection, dealt with the reference systems of the city and country. Topics such as \u201cart and artificiality\u201d, \u201cdeceleration and slowing down\u201d, \u201cdigitality and sustainability\u201d were explored.<\/p>\n\n\n\n

The group exhibition took a multi-perspective look at the exhibition theme and displayed works of different artists, so that a perspective-rich overall picture resulted.<\/p>\n\n\n\n

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CITY \u2013 COUNTRY \u2013 CONNECTIVITY
October 9, 2022 to November 30, 2022
Press release english – PDF<\/a><\/p>\n<\/div>\n\n\n\n

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ARTISTS:<\/h2>\n\n\n\n
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Slim Aarons <\/p>\n\n\n\n

Ansel Adams<\/p>\n\n\n\n

Brian Alfred<\/p>\n\n\n\n

Eduard Bagheer<\/p>\n\n\n\n

Henrik Becker<\/p>\n\n\n\n

Maria Berking<\/p>\n\n\n\n

Thorsten Brinkmann <\/p>\n\n\n\n

Viktoria Binschtok<\/p>\n\n\n\n

Julius von Bismarck <\/p>\n\n\n\n

Michael Conrads<\/p>\n\n\n\n

Stephen Craig<\/p>\n\n\n\n

Walker Evans<\/p>\n\n\n\n

Klaus Fu\u00dfmann <\/p>\n\n\n\n

T.M. Glass<\/p>\n\n\n\n

Ramiro Gomez <\/p>\n\n\n\n

Greg Gorman<\/p>\n\n\n\n

Beate G\u00fctschow<\/p>\n\n\n\n

Roswitha Hecke<\/p>\n\n\n\n

Mat Hennek<\/p>\n\n\n\n

Thomas Herbst<\/p>\n\n\n\n

Jane Hilton<\/p>\n\n\n\n

Carsten H\u00f6ller<\/p>\n\n\n\n

Nicole Hollmann<\/p>\n\n\n\n

Dennis Hopper <\/p>\n\n\n\n

Alexandra K\u00fcrtz<\/p>\n\n\n\n

Lazl\u00f3 Maholy-Nagy<\/p>\n\n\n\n

Rupprecht Matthies<\/p>\n\n\n\n

Sofie Bird M\u00f8ller<\/p>\n\n\n\n

Andreas M\u00fche<\/p>\n\n\n\n

Maria und Natalia Petschatnikov <\/p>\n\n\n\n

Tom Sachs<\/p>\n\n\n\n

Max Scheler<\/p>\n\n\n\n

Andreas Slominski <\/p>\n\n\n\n

Frank Suplie<\/p>\n\n\n\n

Christopher Thomas<\/p>\n\n\n\n

Malte Urbschat<\/p>\n\n\n\n

Robert Voit<\/p>\n\n\n\n

Athena Vida (formerly known as Gitte Sch\u00e4fer)<\/p>\n\n\n\n

Carol Wates<\/p>\n\n\n\n

Donata Wenders<\/p>\n\n\n\n

Cerith Wyn Evans<\/p>\n\n\n\n\n<\/div>\n\n\n\n

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Loans from:<\/strong><\/p>\n\n\n\n

Verena Issel <\/p>\n\n\n\n

Camillo Ritter<\/p>\n\n\n\n

Michael Conrads<\/p>\n\n\n\n\n\n\n\n

International:<\/strong><\/p>\n\n\n\n

Slim Aarons (USA)<\/p>\n\n\n\n

Ansel Adams(USA)<\/p>\n\n\n\n

Brian Alfred (USA)<\/p>\n\n\n\n

Stephen Craig (Irland and Germany)<\/p>\n\n\n\n

Walker Evans (USA)<\/p>\n\n\n\n

T.M. Glass (Canada)<\/p>\n\n\n\n

Ramiro Gomez (USA and Mexico)<\/p>\n\n\n\n

Greg Gorman (USA)<\/p>\n\n\n\n

Mat Hennek (USA and Germany )<\/p>\n\n\n\n

Jane Hilton (UK)<\/p>\n\n\n\n

Dennis Hopper (USA)<\/p>\n\n\n\n

Lazl\u00f3 Maholy-Nagy (Austria\/Hungary)<\/p>\n\n\n\n

Sofie Bird M\u00f8ller (Denmark)<\/p>\n\n\n\n

Maria und Natalia Petschatnikov (Russia)<\/p>\n\n\n\n

Tom Sachs (USA)<\/p>\n\n\n\n

Carol Wates (UK)( IPad Paintings\/Anmutung, irgendwo zwischen hyperrealistisch, Aquarell und abstrakt)<\/p>\n\n\n\n

Cerith Wyn Evans (UK)<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The second exhibition of\u00a0Kunst f\u00fcr Angeln e.V., together with the Roosen-Trinks Collection, dealt with the reference systems of the city and country. Topics such as \u201cart and artificiality\u201d, \u201cdeceleration and slowing down\u201d, \u201cdigitality and sustainability\u201d were explored. The group exhibition took a multi-perspective look at the exhibition theme and displayed works of different artists, so […]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-10105","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/pages\/10105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/comments?post=10105"}],"version-history":[{"count":1,"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/pages\/10105\/revisions"}],"predecessor-version":[{"id":10106,"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/pages\/10105\/revisions\/10106"}],"wp:attachment":[{"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/media?parent=10105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}