{"id":1599,"date":"2022-03-29T17:37:13","date_gmt":"2022-03-29T15:37:13","guid":{"rendered":"https:\/\/www.kunstfuerangeln.de\/?page_id=1599"},"modified":"2025-10-23T09:12:38","modified_gmt":"2025-10-23T07:12:38","slug":"past-exhibitions","status":"publish","type":"page","link":"https:\/\/www.kunstfuerangeln.de\/en\/exhibitions\/past-exhibitions","title":{"rendered":"Past Exhibitions"},"content":{"rendered":"\n

PAST EXHIBITIONS<\/strong><\/p>\n\n\n\n

the kids are the stars<\/h1>\n\n\n\n

The fall 2025 exhibition entitled \u201cThe Kids are the Stars<\/a>\u201d showed more than 400 creative masterpieces by children between 2(!) in the largest exhibition of its kind and 14 years.
At the same time, the works of the photographer KATJA RUGE<\/strong> were shown at the Wittkielhof, Title of this exhibition: \u201cElectric Lights \u2013 Women in Electronic Music<\/a>\u201d<\/p>\n\n\n\n

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LIGHT AND LANDSCAPE IN THE ART OF THE NORTH<\/h1>\n\n\n\n

The exhibition with works by Till Warwas, Katharina Duwe, Frank Suplie, Klaus Fussmann, Sofie Bird Mller, Chili Seitz, Stephen Craig, Maritta Hobe-Gelting, Gert Hein de Visser, Katja B\u00e4r, Kerrin Voges, Thomas Lunau, Martin Askholm, Iris Fridriksdottir<\/strong> and many others ran in spring 2025<\/h2>\n\n\n\n
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DUTCH VIEWS & LIGHT AND LANDSCAPE – LIGHT AND LANDSCAPE IN THE ART OF THE NORTH<\/h1>\n\n\n\n

Our spring exhibition 2025, “Light and Landscape,” was dedicated to the influence of light and landscape formations in northern Schleswig-Holstein and Denmark on the region’s artists. It comprised two sections:
Part I \u2013 Cooperation between creative artists from Denmark and Schleswig-Holstein.
Part II \u2013 DUTCH VIEWS & LIGHT AND LANDSCAPE: for the first time, a male and a female artist from the Netherlands were invited.<\/p>\n\n\n\n

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Photography Art \u2013 Icons of Photographic Art<\/h1>\n\n\n\n

From 13th October to 10th November 2024 masterpieces by Photgraphy artists were on display at the latest event presented by Kunst f\u00fcr Angeln<\/h2>\n\n\n\n

What is a good picture? \u2013 A good picture touches you, it gets under your skin, it sticks to your memory. There are pictures that almost everyone knows. No matter whether you have already dealt with photography and its history or not \u2013 some images are in the visual memory of the 21st Century, firmly anchored as contemporary documents.<\/p>\n\n\n\n

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READ MORE<\/a><\/div>\n<\/div>\n\n\n\n
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INSTA ME, BABY!<\/h1>\n\n\n\n

APRIL 7th\u2013 MAY 5th 2024<\/p>\n\n\n\n

THE DIVERSE RELATIONSHIPS BETWEEN ART
AND THE DIGITAL WORLD<\/h2>\n\n\n\n

People of all generations were encouraged to explore their creativity in relation to the digital world and social media and to conduct dialogue in a cross-border and cross-generational context.<\/p>\n\n\n\n

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read more<\/a><\/div>\n<\/div>\n\n\n\n
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MONDWALD UND DER UNGLAUBLICHE MAI \u2013
50 YEARS ROOSEN-TRINKS COLLECTION<\/h1>\n\n\n\n

September 17th – October 15th, 2023<\/p>\n\n\n\n

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Ingrid Roosen-Trinks: \u201eFor about 50 years I have been living with art in everyday life and can say that it enriches me enormously and broadens my horizons. That\u2019s exactly what I need not to lose my optimism.” <\/p>\n\n\n\n

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read more<\/a><\/div>\n<\/div>\n\n\n\n
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ART OVERCOMES BOUNDARIES<\/h1>\n\n\n\n

April 16th – May 14th, 2023<\/p>\n\n\n\n

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On 14 May 2023, the large exhibition ART OVERCOMES BOUNDARIES with artists from Denmark and Schleswig-Holstein ended.
After its foundation in 2022, the association KUNST F\u00dcR ANGELN e.V., has committed itself to supporting and strengthening the connections and friendships with Denmark through art cooperations and art exhibitions. With artists and musicians from Denmark and Germany through exhibitions, workshops, social projects and music festivals at the Wittkielhof in the Schlei region\/ Schleswig-Holstein.<\/p>\n\n\n\n

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Read more<\/a><\/div>\n<\/div>\n\n\n\n
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CITY, COUNTRY, CONNECTIVITY<\/h1>\n\n\n\n

October 9, 2022 to November 30, 2022<\/p>\n\n\n\n

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The second exhibition of the association “Kunst f\u00fcr Angeln e.V.” together with the collection Roosen-Trinks, ran from 9.10.2022 to 30.11.2022, and dealt with the reference systems of city and country. Topics such as “art and artificiality”, “deceleration and deceleration, “digitality and sustainability” were dealt with by the participating artists.<\/p>\n\n\n\n

The group exhibition took a multi-perspective look at the exhibition theme and showed very different works, so that a multifaceted overall picture has emerged.<\/p>\n\n\n\n

The interest of the public and the media was great, another indication that a cultural institution like KUNST F\u00dcR ANGELN was long wanted in the region. The participation in the (almost) daily art tours was accordingly lively.<\/p>\n\n\n\n

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CITY \u2013 COUNTRY \u2013 CONNECTIVITY
October 9, 2022 to November 30, 2022
Press release english – PDF<\/a><\/p>\n<\/div>\n\n\n\n

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ARTISTS:<\/h2>\n\n\n\n
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Slim Aarons <\/p>\n\n\n\n

Ansel Adams<\/p>\n\n\n\n

Brian Alfred<\/p>\n\n\n\n

Eduard Bagheer<\/p>\n\n\n\n

Henrik Becker<\/p>\n\n\n\n

Maria Berking<\/p>\n\n\n\n

Thorsten Brinkmann <\/p>\n\n\n\n

Viktoria Binschtok<\/p>\n\n\n\n

Julius von Bismarck <\/p>\n\n\n\n

Michael Conrads<\/p>\n\n\n\n

Stephen Craig<\/p>\n\n\n\n

Walker Evans<\/p>\n\n\n\n

Klaus Fu\u00dfmann <\/p>\n\n\n\n

T.M. Glass<\/p>\n\n\n\n

Ramiro Gomez <\/p>\n\n\n\n

Greg Gorman<\/p>\n\n\n\n

Beate G\u00fctschow<\/p>\n\n\n\n

Roswitha Hecke<\/p>\n\n\n\n

Mat Hennek<\/p>\n\n\n\n

Thomas Herbst<\/p>\n\n\n\n

Jane Hilton<\/p>\n\n\n\n

Carsten H\u00f6ller<\/p>\n\n\n\n

Nicole Hollmann<\/p>\n\n\n\n

Dennis Hopper <\/p>\n\n\n\n

Alexandra K\u00fcrtz<\/p>\n\n\n\n

Lazl\u00f3 Maholy-Nagy<\/p>\n\n\n\n

Rupprecht Matthies<\/p>\n\n\n\n

Sofie Bird M\u00f8ller<\/p>\n\n\n\n

Andreas M\u00fche<\/p>\n\n\n\n

Maria und Natalia Petschatnikov <\/p>\n\n\n\n

Tom Sachs<\/p>\n\n\n\n

Max Scheler<\/p>\n\n\n\n\n\n\n\n\n<\/div>\n\n\n\n

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Andreas Slominski <\/p>\n\n\n\n

Frank Suplie<\/p>\n\n\n\n

Christopher Thomas<\/p>\n\n\n\n

Malte Urbschat<\/p>\n\n\n\n

Robert Voit<\/p>\n\n\n\n

Athena Vida (formerly known as Gitte Sch\u00e4fer)<\/p>\n\n\n\n

Carol Wates<\/p>\n\n\n\n

Donata Wenders<\/p>\n\n\n\n

Cerith Wyn Evans<\/p>\n\n\n\n

Loans by:<\/strong><\/p>\n\n\n\n

Verena Issel <\/p>\n\n\n\n

Camillo Ritter<\/p>\n\n\n\n

Michael Conrads<\/p>\n\n\n\n

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International:<\/strong><\/p>\n\n\n\n

Slim Aarons (USA)<\/p>\n\n\n\n

Ansel Adams(USA)<\/p>\n\n\n\n

Brian Alfred (USA)<\/p>\n\n\n\n

Stephen Craig (Irland and Germany)<\/p>\n\n\n\n

Walker Evans (USA)<\/p>\n\n\n\n

T.M. Glass (Canada)<\/p>\n\n\n\n

Ramiro Gomez (USA and Mexico)<\/p>\n\n\n\n

Greg Gorman (USA)<\/p>\n\n\n\n

Mat Hennek (USA and Germany )<\/p>\n\n\n\n

Jane Hilton (UK)<\/p>\n\n\n\n

Dennis Hopper (USA)<\/p>\n\n\n\n

Lazl\u00f3 Maholy-Nagy (Austria\/Hungary)<\/p>\n\n\n\n

Sofie Bird M\u00f8ller (Denmark)<\/p>\n\n\n\n

Maria und Natalia Petschatnikov (Russia)<\/p>\n\n\n\n

Tom Sachs (USA)<\/p>\n\n\n\n

Carol Wates (UK)( IPad Paintings)<\/p>\n\n\n\n

Cerith Wyn Evans (UK)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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PORTRAITS \u2013 MASKS \u2013 VEILS <\/h1>\n\n\n\n

APRIL 4, 2022 TILL MAY 30, 2022<\/h2>\n\n\n\n
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<\/em>\u00bbThe subject of the first exhibition is as topical as it is timeless: Masks and People. A great dream comes true for the region and for Ingrid Roosen-Trinks. A dream that lives out the vitality of art and human encounter. Because Ingrid Roosen-Trinks wants to inspire and move people: her exhibitions and art events are becoming the region\u2019s new cultural meeting place \u2013 what a gain for Schleswig-Holstein!\u00ab<\/em><\/p>\n\n\n\n\n
STEFANIE BUSOLD<\/strong>
ARTISTIC ADVISER AND REPRESENTATIVE OF Sotheby\u2019s IN HAMBURG FOR NORTHERN GERMANY
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Portraits often have a clear function; they should represent the personality of the person portrayed. Even if the reproduction of reality is not always in the foreground in this regard, it is not infrequently a question of approaching closer to the person depicted, in order to learn something about them. In the classic case, the face plays a central role in this respect.<\/p>\n\n\n\n

In its composition, the painting entitled Businessman (2013) by Lennart Grau is reminiscent of Dutch portrait painting of the seventeenth century, but denies a view into the face of the man portrayed. It is a characteristic style of painting for Grau \u2013 impasto application of paint and the intermingling of the artist\u2019s media \u2013 creating almost marbled surfaces and thus concealing any individual traits of the sitter. The businessman remains undefined and his identity a mystery.
In photography, Thorsten Brinckmann\u2019s Telmche (2021) displays a traditional portrait that evokes associations with well-known representations from art history. Brinkmann toys with the unknowability of his subject matter: the depicted person looks as if he\/she is turning away from the viewer, while a bright yellow handbag seems to become his\/her head and equally to disguise it. The photography conveys irony and lightness despite the picture\u2019s strict composition.
In contrast, the figure in Green Coat (2016), a watercolour by Maria Thurn and Taxis, appears rigid and frozen in the moment, and bears a gigantic mask instead of its head. Alienation and concealment are also the dominant elements in the series of works entitled Waywards by Thurn and Taxis. The similarities are obvious in these three works from the ROOSEN-TRINKS COLLECTION; three figurative representations and three enigmatic portraits, but different in their medium and storytelling. Nonetheless, they cast a spell and raise innumerable questions.<\/p>\n\n\n\n

Confrontation with the unknown and even with our neighbours has changed, especially during the ongoing corona pandemic, when we mask our faces daily. What is meant by the inability to look someone in the face? What hides behind the mask?<\/p>\n<\/div>\n\n\n\n

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Maria Thurn und Taxis, “Green Coat” 2016, courtesy of the Roosen-Trinks Collection and the artist<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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photo: FRED DOTT, Hamburg<\/figcaption><\/figure>\n\n\n\n

Curators of the first exhibition have been Corinna Koch and Isa Maschewski from we, curatorial.<\/p>\n\n\n\n

About a hundred artworks have been displayed, everything from works on paper, such as photos and collages, to paintings, sculptures and video works. The entire farm area has been transformed into a presentation arena, and not only one of the barns but also rooms in the manor house and the surrounding park had become a performance stage. The first exhibition in the new surroundings celebrated not just the collection\u2019s further development at its new location and the expansion of the cultural offering in a rural region, but also a re-enlivenment of the artistic scene after a dismal 2021. In addition to exhibition projects, Roosen-Trinks and the team from KUNST f\u00fcr ANGELN e.V. have planned a diverse framework and outreach program designed to appeal to all generations, e.g. guided tours for senior citizens together with school classes, as well as children\u2019s workshops with some of the collection\u2019s artists.<\/p>\n\n\n\n

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PARTICIPATING ARTITS:<\/strong><\/p>\n\n\n\n

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Eva und Adele<\/p>\n\n\n\n

Nina Backman<\/p>\n\n\n\n

Stephan Balkenhol<\/p>\n\n\n\n

Heike Kati Barath<\/p>\n\n\n\n

Tjorg Douglas Beer<\/p>\n\n\n\n

Brian Bress<\/p>\n\n\n\n

Thorsten Brinkmann<\/p>\n\n\n\n

Margarita Broich<\/p>\n\n\n\n

Antje Bromma<\/p>\n\n\n\n

Marcel Buehler<\/p>\n\n\n\n

Justin Cooper<\/p>\n\n\n\n

Charles Fr\u00e9ger<\/p>\n<\/div>\n\n\n\n

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Thomas Glassford<\/p>\n\n\n\n

Lennart Grau<\/p>\n\n\n\n

Beate G\u00fctschow<\/p>\n\n\n\n

Roswitha Hecke<\/p>\n\n\n\n

Matt Merkel Hess<\/p>\n\n\n\n

Stefan Hirsig<\/p>\n\n\n\n

Nicole Hollmann<\/p>\n\n\n\n

Katrin Kampmann<\/p>\n\n\n\n

Daniel Lergon<\/p>\n\n\n\n

Oliver Mark<\/p>\n\n\n\n

Bj\u00f8rn Melhus<\/p>\n\n\n\n

Jonathan Monk<\/p>\n\n\n\n

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Daniel Mohr<\/p>\n\n\n\n

Sofie Bird M\u00f8ller<\/p>\n\n\n\n

Andreas M\u00fche<\/p>\n\n\n\n

Richard Phillips<\/p>\n\n\n\n

Lisl Ponger<\/p>\n\n\n\n

Christian Schmidt- Rasmussen<\/p>\n\n\n\n

Frank Roeseler<\/p>\n\n\n\n

Gideon Rubin<\/p>\n\n\n\n

Gitte Sch\u00e4fer<\/p>\n\n\n\n

Wiebke Siem<\/p>\n\n\n\n

Maria Thurn und Taxis<\/p>\n\n\n\n

Malte Urbschat<\/p>\n\n\n\n

Sahar Zukerman<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Copyright photo: FRED DOTT, Hamburg<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

PAST EXHIBITIONS the kids are the stars The fall 2025 exhibition entitled \u201cThe Kids are the Stars\u201d showed more than 400 creative masterpieces by children between 2(!) in the largest exhibition of its kind and 14 years.At the same time, the works of the photographer KATJA RUGE were shown at the Wittkielhof, Title of this exhibition: \u201cElectric Lights \u2013 Women […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1575,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1599","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/pages\/1599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/comments?post=1599"}],"version-history":[{"count":10,"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/pages\/1599\/revisions"}],"predecessor-version":[{"id":10110,"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/pages\/1599\/revisions\/10110"}],"up":[{"embeddable":true,"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/pages\/1575"}],"wp:attachment":[{"href":"https:\/\/www.kunstfuerangeln.de\/en\/wp-json\/wp\/v2\/media?parent=1599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}